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The Third Edition of this best-selling text, written text specifically for PTAs, will help instructors introduce students to information regarding professionalism, professional roles, interpersonal communication, physical therapist’s behavior and conduct, teaching and learning, and evidence based practice. This comprehensive text will provide a valuable resource throughout the physical therapist assistant’s education and training throughout the entire duration of the PTA program. NEW TO THE THIRD EDITION NEW! Chapters on Student Learning and Student Career Paths/Opportunities NEW! Discussion Questions for each Chapter NEW! Learning Opportunities, which are additional Project Assignments for each Chapter Revised content, up-to-date with release of APTA's Guide to Physical Therapist Practice 3.0, Defensible Documentation, CMS Strategic Plan, the Affordable Care Act, HITECH Act, and other changes NEW CONTENT TOPICS Preferred Practice Patterns Networking Confronting Ethical Dilemmas Value-Based Behaviors for the Physical Therapist Assistant Duty PT/PTA collaboration Responsibility Integrity in Practice Elder Abuse Harassment Effective Questioning Strategies Written Communication to Healthcare Professionals or Payer Sources” Standardized Titles and Names Used In Physical Therapy Barriers to Learning Private Insurance Tricare and the Veterans Health Administration System INSTRUCTOR RESOURCES Clinical Lab Scenarios Image Bank Slides in PowerPoint format Additional Practice Activities Test Bank Transition Guide

• Sales Rank: #39474 in Books
• Published on: 2016-01-27
• Original language: English
• Number of items: 1
• Dimensions: 10.60" h x .60" w x 8.40" l, .0 pounds
• Binding: Paperback
• 232 pages

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0 of 0 people found the following review helpful.
Five Stars
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[U404.Ebook] Fee Download Buffalo Bill's America: William Cody and the Wild West Show, by Louis S. Warren

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William Cody (1846—1917), a.k.a. Buffalo Bill, was the most famous American of his age. A child of the frontier Great Plains, Cody was renowned as a Pony Express rider, prospector, trapper, Civil War soldier, professional buffalo hunter, Indian fighter, cavalry scout, horseman, dime-novel hero, and actor. But Buffalo Bill’s greatest success was as impresario of the Wild West show, the traveling company of cowboys, Indians, Mexican vaqueros, and others, numbering in the hundreds, with which he toured North America and Europe for more than three decades. As Louis S. Warren reveals, the show company came to represent America itself, its dazzling mix of races sprung from a frontier past, welded into a thrilling performance, and making their way through the world via the modern technologies of railroad, portable electrical generator, telephones, and brilliantly colored publicity–an entrancing vision of the frontier-born, newly mechanized, polyglot United States in the Gilded Age.

Biographers have long disputed whether Cody was a hero or a charlatan. As Warren shows, the question already preoccupied critics and spectators during Cody’s own lifetime. In fact, the savvy entertainer encouraged the dispute by mingling fictional exploits with his not inconsiderable achievements to construct the persona of an ideal frontiersman, a figure who was more controversial than has been commonly understood. At the same time, his show provided a means for rural westerners, including cowboys, cowgirls, and especially Lakota Sioux Indians, to claim a new future for themselves by reenacting a version of the past.

The most comprehensive critical biography of William Cody in more than forty years, Buffalo Bill’s America places America’s most renowned showman in the context of his cultural worlds in the Far West, in the East, and in Europe. A rich and revealing biography and social history of an American cultural icon.

• Sales Rank: #1352192 in Books
• Published on: 2005-10-11
• Released on: 2005-10-11
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 9.47" h x 1.65" w x 6.60" l, 2.36 pounds
• Binding: Hardcover
• 672 pages

From Publishers Weekly
In this ambitious biography, Warren depicts William "Buffalo Bill" Cody as a man who took a set of extraordinary skills, added a few fanciful tales and built a persona that made him one of the most recognizable men of his time. But it's in Cody's Wild West Show that UC-Davis historian Warren finds Cody's true genius: the ability to capture in theater the anxieties, cultural myths, ambitions, class divides and cultural direction of America as it approached the 20th century. Warren seeks metaphor and symbolism everywhere and is remarkably inventive in finding them. Readers who tire of the discussions of the domestication of America as captured in the Wild West Show, or theories that the show symbolized American labor unrest (with the Indians as stand-ins for labor), will find Warren's analysis of Cody's influence on Bram Stoker's Dracula or what Edvard Munch had in common with Cody's Wild West Show entertaining, if not totally convincing. Warren sends out a fusillade of theories about late-19th-century American culture, the American west and their intersection with the Wild West Show; some resonate, some are provocative and some simply (and unintentionally) amuse. All in all, Warren manages to both entertain and instruct. 41 b&w illus. (Oct. 14)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In his public career, William Cody straddled two worlds and two eras. Born in 1846 in Iowa, he moved west as the nation expanded to the Pacific; he was a genuine product of the frontier who served as a Pony Express rider, army scout, and big-game hunter. Yet he achieved his greatest fame as the frontier was closing, and his Wild West shows, with their utilization of mass-marketing techniques and electronic gimmickry, clearly belong to the twentieth century. But, as Warren reveals in this engrossing and thoroughly enjoyable biography, Cody himself, and the public perception of his life, were always riddled with contradictions. In later life, Cody undeniably embellished his accomplishments, but Warren shows that, as a frontiersman, Cody was the genuine article. He was often self-centered, even narcissistic, but he seemed to genuinely like people and was generous to a fault. Warren has provided an outstanding examination of the life and times of an enigmatic "hero" who was perhaps our first media-driven superstar. Jay Freeman
Copyright © American Library Association. All rights reserved

Review
“The most ambitious book ever published about Cody and his times. No one interested in Buffalo Bill, 19th-century show business or the many meanings of the American West will want to pass it up.” —The New York Times Book Review

“Warren writes with the tireless ebullience of a scholar in love with his material. . . . The grocery tabloids missed a good thing by not being around when Buffalo Bill was king of the box office.” —The New York Review of Books

“Meticulously researched and entertaining. . . . A fascinating and accessible study of a man who . . . can still teach us today about how things are not always what they appear to be.” —The Portland Oregonian

“Not just a biography but an examination of the cultures of the eastern United States and Europe and their relationship with the American West.” —The Denver Post

Most helpful customer reviews

44 of 46 people found the following review helpful.
When the Legend becomes fact, print the legend
By Wayne Klein
An entertaining combination of history and biography Louis Warren's book manages to capture the elusive spirit of William Cody aka Buffalo Bill. Bill was a combination of hero, poser and entertainer as he frequently told tall tales linking him to the archetypical western hero Wild Bill Hickock. He dressed like Wild Bill, claimed to be his cousin (although the two weren't related Cody did meet Wild Bill at a young age and did travel with him later). Cody would variously claim that he was the youngest pony express rider (he neve rode for the pony express), was a spy during the Civil War (he wasn't) and was at many of Wild Bill's most famous exploits (he wasn't). It's ironic then that Bill Cody felt the need to embelish an already heroic career as a tracker and guide during the infamous Indian Wars. Cody lived during an uncertain time in the west and his role as a "white" Indian scout made people more comfortable that he was one of "us" who could fight and befriend one of "them" (i.e., the Indians whatever group they belonged to) unlike Wild Bill or other well known scouts who had reputations for violence and/or consorting (meaning marrying an Native American Indian)with the "enemy". Warren provides a fair balanced account of these troubled prejudiced times and what those on the frontier did to survive.

Why did Bill Cody feel the need to tell tall tales about his career when he wasn't the charlatan that many trackers and guides were? Cody had that need to be larger than life and learned by observing people like P. T. Barnum that a little bit of truth and a lot of hokum go a long way. As Maxwell Scott (Carleton Young) states in "The Man Who Shot Liberty Valance",
"When the Legend Becomes fact, Print the Legend". Perhaps Cody felt the facts weren't enough and that he needed to become a legend so that he might be recognized as such during his life time and after he died. Either way, this man who was an odd combination of hero and entertainer entered the the realm of legends. Interestingly, Buffalo Bill and Wild Bill Hickock were frequently confused as the same person by people of the time.

This marvelous book covers Cody's youth, his stretch as a scout, entertainer with his Wild West Show (which did feature Wild Bill Hickock at one time although Hickock supposedly became annoyed at one point by Cody's attempts to be like him)and later as a popular celebrity who embodied the lost days of the wild west. Featuring illustrations, Warren's book brings to life a lost era in America when heroism and legends became far more than stories to be told by camp fires late into the night.

14 of 14 people found the following review helpful.
Buffalo Bill's wild, wild West
By D. Donovan, Editor/Sr. Reviewer
William Cody was the most famous American of his times, renowned as a Pony Express rider, soldier, buffalo hunter and overall hero - but his creation of the Wild West show, a traveling company of cowboys and Indians which toured North American and Europe for over thirty years, solidified his importance and his name. BUFFALO BILL'S AMERICA: WILLIAM CODY AND THE WILD WEST SHOW provides the most detailed critical biography of Cody to appear in over forty years, considering his showmanship, his achievements, and the controversies which swirled around his life, both during time and into modern times. Chapters use source material references and quotes but maintain a lively style which lends to appeal by leisure audiences as well as students of American history.

9 of 12 people found the following review helpful.
Great!
By J. Johnson
Great book from a great professor. Reading this was like sitting in Dr. Warren's class again. He can totally make history come alive and this book is no exception.

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[N794.Ebook] Download Ebook Improving Intercultural Interactions: Modules for Cross-Cultural Training Programs, Volume 2 (Multicultural Aspects of Counseling And Psych

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Taking an educational model for counselling, this volume presents training modules relevant for a variety of circumstances from the world of business to that of education. Included throughout are practical exercises and self-assessment questions which promote cultural awareness.

The volume is a companion to Improving Intercultural Interactions - the third volume in the Multicultural Aspects of Counseling series. It builds upon Volume Three to address a new cluster of topics specific to various types of intercultural experience. These include: ethics; ethnocultural identification; conflict and mediation across cultures; empathy; and cross-cultural communication.

• Sales Rank: #1135805 in Books
• Published on: 1997-04-21
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x .55" w x 7.50" l, 1.15 pounds
• Binding: Paperback
• 240 pages

About the Author
Richard Breslin's current research focuses on mentoring, cross-cultural training materials and the experiences of business people on overseas assignments. Brislin reviews submissions for over ten professional journals and five major textbook publishers. He develops materials for use in cross-cultural training programs and is the author of a text in cross-cultural psychology. One of his books, "The Art of Getting Things Done: A Practical Guide to the Use of Power," was a Book of the Month Club selection in 1992. His most recent publication is Intercultural Interactions: A Practical Guide," published by SAGE Publications.

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[R778.Ebook] PDF Download Wolf Pact. Melissa de La Cruz, by Melissa de La Cruz

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Once enslaved in the darkest pits of the underworld, Lawson and his pack were destined to become Hounds of Hell. Escaping to Earth bought them a little time, but their old masters soon catch up with them and take away the one thing Lawson is desperate to keep hold of - the girl he loves. Now, Lawson needs to hunt the beasts he was running from if there's any chance of seeing her again. When Bliss, a mysterious ex-vampire, turns up on her own search for the Hounds it seems she might hold information that will help. But will she be able to trust this insolent, dangerously good-looking boy when she knows that he has a wolf's soul?

• Sales Rank: #1048189 in Books
• Published on: 2012-04-01
• Original language: English
• Number of items: 1
• Dimensions: 7.72" h x .98" w x 5.00" l, .35 pounds
• Binding: Paperback
• 304 pages

About the Author
Melissa de la Cruz is the author of many best-selling novels, including the Blue Bloods series; the Au Pairs series; the Ashleys series; and Angels on Sunset Boulevard. She is also a frequent contributor to Glamour, Marie Claire, Teen Vogue, and Cosmopolitan. She lives in Los Angeles with her husband and daughter.

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Love, love

0 of 0 people found the following review helpful.
Chomping at the bit for more!
By Erin Williams
I wish she would write more! This book was amazing! I started to really love Bliss in the Blue Bloods series, and I was so sad when she "left"... but was so excited when I heard she'd get a spinoff- I never thought it would only be one book!!! PLEASE write more!

0 of 0 people found the following review helpful.
Ok spinoff of Blue bloods
By tmp03
This book was just ok. I couldn't have just continued with the rest of the blue nloods novels without reading Wolf Pact though. It gives a lot of background into the hellhounds with new characters that show up later.

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[A792.Ebook] Download Ebook Jesus and the World of Judaism, by Geza Vermes

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These studies develop further the investigation carried out in Dr Vermes' books Jesus the Jew and The Dead Sea Scrolls and shed light on many important and controversial issues from that period. Subjects include the importance of the Dead Sea Scrolls for Jewish studies and New Testament studies; the relationship of Jewish studies to the interpretation of the New Testament; and Jesus' understanding of himself. In particular, this volume contains the Riddell Memorial Lectures, 'The Gospel of Jesus the Jew', which represent a continuation of Jesus the Jew. `New Testament scholarship owes an increasing debt to Geza Vermes for opening up perspectives on the understanding of the New Testament in its Jewish context. In this collection of lectures and articles dated between 1974 and 1981 we have a useful student's guide to essential Vermes. The material is mostly intended for a non-specialist audience, and so while it is sometimes inevitably oversimplified, it is more accessible to those who are not at home in the complexities of Jewish scholarship .. . No student of the New Testament should be unaware of Venues' positive contributions to our understanding of the world Jesus lived in, and of his challenges to traditional Christian approaches. This collection is a suitable lead-in. You will find it sometimes fascinating, sometimes infuriating, but generally a salutary challenge to re-examine your historical perspective on Jesus the Jew' (Themelios).

• Sales Rank: #1471060 in Books
• Published on: 2012-05-14
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .44" w x 5.51" l, .54 pounds
• Binding: Paperback
• 208 pages

About the Author
Geza Vermes was Professor Emeritus of Jewish Studies at the University of Oxford, UK and was one of the world's greatest experts on the historical Jesus, Christian beginnings, and the Dead Sea Scrolls. With the publication of "Jesus the Jew" (1973) he introduced the idea of Jesus as a 1st century Jewish holy man to the general public. His book "The Dead Sea Scrolls in English" (1962) introduced the English reader to the Scrolls, going on to sell over half a million copies.

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7 of 7 people found the following review helpful.
Clear, understandable, historical analysis
By Michael_in_SC
This is a really excellent book on the historical Jesus. It brings out the actual, historical context of the person Jesus (as constrasted with the theological construct of later speculations). It has scholarly depth but is easy to understand by a lay reader. I have enjoyed all of Vermes' books that I have read.

0 of 0 people found the following review helpful.
glad tidings
By Tavor Maier
This is a collection of lectures dealing with Jesus' embededness into the Judaism of his time.

Geza Vermes (1924-2013), a very renowned British Bible scholar who also published the Dead Sea Scrolls, applies the methods of historiography, not theology, i.e., his interest is in facts, not in propaganda.

You fail to understand the historical Jesus if you think he was a Christian. Christianity was later. Jesus was a Jew in a Jewish world. Prima facie, that sounds trivial, however, it is not so trivial to see what happens to Jesus when you turn this triviality into a scientific method of posing the appropriate questions concerning the Gospels. We are used to read the New Testament through the glasses of Christianity. But as we can learn from Vermes, this is the best way to deeply misunderstand Jesus since the gravest mistake a historian can make is to assess a phenomenon in the light of later developments.

To add a word as to my very personal reading experience: I rejoiced greatly when I studied these clairvoyant lectures. For I had never before come so close to the Son of Man.

And, behold, while turning the pages, suddenly two men stood by me in white apparel. Which also said unto me: Why sittest thou gazing into that book? For this same Jesus which was taken up into heaven shall so come back in like manner.

And I said unto them, lo, that's glad tidings! But when?

And they answered unto me: July 7, 2016, in the afternoon.

And I kept questioning: Is that a Sabbath.

And they said: Nay, for it is hard work to enter his Kingdom.

And as they had spoken these words unto me, they faded away and only a dense and thick cloud remained in the place where they had stood. So I stopped reading, got up and did at long last the kitchen work. I don't want Jesus to break in on me with all the washing up undone.

3 of 4 people found the following review helpful.
Great!
By Bill Lowe
The book is wonderful, and Amazon's service was excellent. Vermes is one of the best Judeo-Christian scholars of our era. Before his death he left us fine books, including the best one to date on the Dead Sea Scrolls.

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[S787.Ebook] Fee Download Literature: The Human Experience, by Richard Abcarian, Marvin Klotz, Samuel Cohen

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Now in its twelfth edition, Literature: The Human Experience provides a broad range of compelling fiction, poetry, drama, and nonfiction that explore the intersections and contradictions of human nature. Timeless themes such as innocence and experience, conformity and rebellion, culture and identity, love and hate, and life and death are presented through the context of connections and experiences that are enduringly human. By presenting diverse selections from contemporary and classic authors across time and cultures, students are certain to discover literature in this anthology with which they can connect.

Literature: The Human Experience is also designed to make teaching literature convenient for instructors and to make reading and writing about literature appealing for students.. A flexible arrangement of literature within each theme allows instructors to teach the text however best suits their classrooms, and the expert instruction and exciting selections will help to guide and entice even the most reluctant readers. Enhancements to the twelfth edition include four new casebooks—one per genre—that help students to see how literature can make arguments as well as new reading questions that ask students to make arguments about the selections. To top it off, Literature: The Human Experience costs about $10 to $30 less than comparable anthologies, providing a wealth of material for an affordable price.

• Sales Rank: #178072 in Books
• Published on: 2015-10-09
• Original language: English
• Dimensions: 9.13" h x 1.50" w x 6.25" l, .0 pounds
• Binding: Paperback
• 1488 pages

About the Author

Richard Abcarian (PhD, University of California, Berkeley) is a professor of English emeritus at California State University, Northridge, where he taught for thirty-seven years. During his teaching career, he won two Fulbright professorships. In addition to editing Literature: The Human Experience and its compact edition, he is the editor of a critical edition of Richard Wright's A Native Son, as well as several other literature textbooks.

Marvin Klotz (PhD, New York University) was a professor of English emeritus at California State University, Northridge, where he taught for thirty-three years and won Northridge's distinguished teaching award in 1983. He was also the winner of two Fulbright professorships (in Vietnam and Iran) and was a National Endowment for the Arts Summer Fellow twice. In addition to editing Literature: The Human Experience and several other textbooks, he coauthored a guide and index to the characters in Faulkner's fiction.

Samuel Cohen (PhD, City University of New York) is Associate Professor of English and Director of Graduate Studies at the University of Missouri. He is the author of After the End of History: American Fiction in the 1990s (University of Iowa Press, 2009), coeditor (with Lee Konstantinou) of The Legacy of David Foster Wallace (University of Iowa Press, 2012), Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture, and coeditor of JMMLA. He has also been published in such journals as Novel, Clio, Twentieth-Century Literature, The Journal of Basic Writing, and Dialogue: A Journal for Writing Specialists. For Bedford/St. Martin's, he is author of 50 Essays: A Portable Anthology and coauthor of Literature: The Human Experience.

 

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Good

0 of 0 people found the following review helpful.
Five Stars
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Great condition.

0 of 0 people found the following review helpful.
A Wonderful Cannon of Literature
By Pam O'Klock
I have used the new edition of this book each year since 2001, and it never disappoints. It is a really good source of World Literature that offers a lot of diverse authors. Pam O'Klockl

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[D155.Ebook] Ebook The Art Question, by Nigel Warburton

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If an artist sends a live peacock to an exhibition, is it art?
'What is art?' is a question many of us want answered but are too afraid to ask. It is the very question that Nigel Warburton demystifies in this brilliant and accessible little book. With the help of varied illustrations and photographs, from Cézanne and Francis Bacon to Andy Warhol and Damien Hirst, best-selling author Warburton brings a philosopher's eye to art in a refreshing jargon-free style.
With customary clarity, he explains art theories, that are much discussed but little understood, by thinkers such as Clive Bell, R.G Collingwood and Wittgenstein. He illuminates other perplexing problems in art, such as the artist's intention, representation and emotion. Drawing on photographs of Cindy Sherman and Tiananmen Square, Warburton shows that, if we are ever to answer the art question, we must consider each work of art on its own terms.
A stimulating and handy guide through the art maze, The Art Question is essential reading for anyone interested in art, philosophy or those who simply like looking at and thinking about pictures.

• Sales Rank: #5747862 in Books
• Published on: 2003-01-24
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 5.25" w x .50" l, .60 pounds
• Binding: Hardcover
• 160 pages

Review

'Invaluable... a sound introduction.... Warburton guides the reader gently and accessibly through some of the most influential theories of the twentieth century... He deftly applies the standard tools of philosophy, such as counter-examples and the detection of circular reasoning, to a field that is prone to vagueness, pretentiousness and sometimes elastic notions of meaning and language.... an excellent introduction to the philosophy of art.' - Think

'Nigel Warburton brings a philosopher's eye to the debate ... to explore with admirable clarity, the factors that might turn a roomful of chocolate into a work of art, and why it matters.' - The Independent

About the Author
Warburton is Lecturer in Philosophy at the Open University.

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0 of 0 people found the following review helpful.
Great book for class!
By Rocky
Arrived as described, absolutely loved this edition

0 of 0 people found the following review helpful.
I’d like to share a few of my own thoughts
By Glenn Russell
Contemporary British philosopher Nigel Warburton, host of the podcast series “Philosophy Bites” asks us to consider if the live peacock Belgian artist Francis Alÿs recently sent to the Venice Biennale to be entered as a work of art is, in fact, a true work of art. Curiously, this is the same question my philosophy instructor asked our class nearly fifty years ago when he showed us a slide of Alpha-Pi by Morris Lewis, a white canvas with wavy lines of color painted on the bottom left and bottom right. In other words, different work, same question.

In an attempt to address this question, “What is art?” Warburton has written his engaging little book, approaching this philosophic conundrum from four specific theoretical angles: 1) Clive Bell’s significant form, that is, the work’s line, shape and color possessing the power to produce an aesthetic emotion in the viewer, 2) R.G.Collingwood’s theory of emotional expression and clarity of feeling needed in the process of artistic creation, 3) Ludwig Wittgenstein’s focus on the concept of ‘family resemblance’ along with an overview of the nature of language, 4) the ‘Institutional Theory’ developed by George Dickie, shifting attention from the work itself to the context of how the work is exhibited by museums and galleries and how it is appreciated by an audience. As by way of a wrap-up, in the fifth and final section of his little book, Nigel himself steps forward to share his views on the art question. I wouldn’t want to restate the various facets of his position but let me mention one thing he does say: we should move away from general rules and hone our attention back to the individual works themselves.

After reading Nigel’s book and giving the art question some reflection, I’d like to share a few of my own thoughts. This art question revolves around the visual arts, particularly painting and sculpture. The other arts, such as theater, dance and music do not face this question in quite the same way. Why is that? I suspect it has to do with recognized quality of performers and performances, for example, when we see or listen the best of the best – Royal Shakespeare Company, Imperial Russian Ballet, Philadelphia Orchestra, Cirque de Soleil, Pilobolus Dance -- we know we are in the presence of great art.

So, my modest view, this is what the visual arts needs in our brave new 21st century world: a breakthrough, that is, an artist or artists creating great art, so great, similar to the above examples of theater and dance, there would be no question as to its greatness. Of course, I don’t have a clue respecting the form such breakthrough art would take, nor do I think such art would sufficiently answer the question ‘What is art’ but by such a breakthrough I strongly suspect the public perception of the visual arts would be enormously enhanced.

Anyway, back on the book. Here is a passage I find especially probing, “What you know and believe affects what you see. Your expectations and knowledge don’t just help you to understand and interpret what you see, they in part help you to construct and categorize what you see.” The example offered is Van Gogh’s painting of crows flying over a cornfield. We look at the painting a first time. Then, we are told this is the last painting Van Gogh painted before killing himself. We take a second look. All of a sudden the crows appear ominous and threatening. I think this examples underscores how art can be a transforming – the more we open ourselves to multiple viewings, open ourselves to exploring the cultural and historical context of a work along with the artist’s development, the more we can grow in our understanding of that specific art form and also grow in our overall artistic sensitivity and aesthetic delicacy of taste. Am I overdoing it with all the sensitivity and delicacy? Reading Nigel Warburton’s little book will undoubtedly help you formulate an opinion. Highly recommended.

2 of 3 people found the following review helpful.
excellent book
By John Roberts
If you're looking at challenging yourself for your art this is a great book. It's short sweet and to the point but at the same time makes you think about what you're creating. This is a definite must have for any aspiring artist.

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